It was created by suspending a 6 x 10’ sheet of metal inside a giant steel casing. EMT 140Įlektro-Mess-Technik, better known as EMT, introduced the very first plate reverb in 1957: the EMT 140 Reverberation Unit. Just like analog EQs and compressors, some engineers still swear by what these hardware units provide, which is why all the following reverb and delay units have plugin emulations. Many of these effects units produced have been used on countless hit records over the years.
Uad eventide h910 harmonizer® plug in install#
Putnam went on to install reverb chambers in studios all across the country - until outboard reverb and delay units became increasingly available in the late 50s. was the first engineer to use “artificial reverb” on a track (“ Peg o’ My Heart” by The Harmonicats, which was a huge hit). In 1947 Universal Audio’s Bill Putnam, Sr. But up until around the 40s, the only way to apply reverb to a recording was to move the mic further away from the sound source - and the only way to apply delay was by daisy-chaining two tape machines together.
This exclusive version also contains the H910 Dual Harmonizer which recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects such as stereo-widening and cross-feedback.Reverb and delay plugins are common tools for every modern mixing engineer - most DAWs even include their own effects plugins for free. The recreation of the original piano-style keyboard remote control which was used live by several artists including Elton John, allows you to play musical pitch offsets and blend in a second delay line by using new mixer controls for added stereo sound.
A number of enhancements have been added to this release including “KYBD” and “ENV” pitch control modes, “OUT2 Delay Group” and a mixer. This is the first time the H910 plug-in is available unbundled and in every current native plug-in format (AAX/VST/AU). If you’re after something more out there, it’s more than possible to generate insane mechanical sounds, drone effects or robot language using self-oscillation, delay and anti-feedback. It’s just as capable for adding harmonies or slapback delays to vocals. Often used for spreading guitars, fattening snares and applying subtle, organic de-tuning to synths. The H910 plug-in was painstakingly modeled after every section of the analogue signal chain to recreate the unique sonic characteristics of the original, say its makers. The original H910’s analogue sound is unique owing to the fact that it predates the availability of even simple microprocessors or analogue-to-digital converters. And the list of famed producers, audio engineers and musicians that still use it to this day (either in hardware or plug-in form) for its unique combination of pitch shifting, modulation and delay is immense. The plug-in is a faithful recreation of the legendary studio processor that can be heard on countless ground-breaking works by artists including John Lennon, Led Zeppelin, Suzanne Vega, Tom Petty, Laurie Anderson, AC/DC, David Bowie, Van Halen and countless others. Eventide have announced a limited time special on the new H910 Harmonizer plug-in (AAX/VST/AU) - only $99 until July 31 instead of $249.
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